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oystermag:

Romance Was Born To Exhibit (Instead Of A Runway Show) At MBFWA

04th Apr ・ 72 notesreblog

shescreamsparamore:

shescreamsparamore:

I JUST LOOKED OUT MY WINDOW AND THERE WERE 11 FUCKING COWS JUST THERE. ARE YOU GONNA FUCKING PAY THE RENT OR WHAT

WHAT WAS I DRINKING LAST NIGHT

04th Apr ・ 95,151 notesreblog

littlelimpstiff14u2:

 The Ghostly Sculptures of Bruno Walpoth

Ghostly sculptures of Bruno Walpoth. Life-size, his powdered beauties, as if in opposition to their ghostly stature, seem heavy and grounded, their gazes locking whomever sees them into a spiritual arrest.

Working with traditional sculptural methods, Walpoth’s work is almost alchemical in quality.  Muscles, eyes and fingers that have been carved into wood (lime and walnut) or covered with lead leaf foils, seem soft and supple, sad and pensive. Idealistically beautiful, his figures show signs of bones and sinew under fragile skin.

Marks from carving tools show on the surface of the wooden bodies, and serve as quiet reminders that these creatures are not human. The marks break what anthropomorphizing has taken place and the observer is introduced to (or reminded of) the artist.  In a strange way, that break makes these works even more fascinating; they make clearly visible the love that has been passed from the creator to the created.

“Contrary to Geppetto, who constructed himself a child (Pinocchio) out of a piece of wood to banish his loneliness, Bruno Walpoth attempts, perhaps out of awareness of life’s transience, to immortalize the volatile spark of youthfulness he catches in the eyes of his models – sometimes his own children – into a wooden sculpture,” writes Absolute Art Gallery‘s Diana Gadaldi.  Walpoth’s figures are also reminiscent of the children in the paintings of Dino Valls and Gottfried Helnwein, yet are not so tortured nor forced into adulthood.  They are more ghostly, or perhaps more Buddhist, as if silently accepting of a new maturity.  Ms. Gadaldi also states that “[they] seem to be immersed in a moment of intimate meditation. Their detached attitude and dreamy expression are characteristic for the stage of life they are going through: one of slow but inexorable physical and psychological development. As they evolve from children to adolescents and from adolescents to young adults, the first traces of self-consciousness and emotional involvement appear on their often still infantile faces.”

http://www.walpoth.com/wood.html

http://www.modernism.ro/2012/02/19/ghostly-sculptures-of-bruno-walpoth/


04th Apr ・ 4,250 notesreblog

fohk:

Room with a view camera obscura by Abelardo Morell

source

04th Apr ・ 7,739 notesreblog

quick-cashing:

tagged-‘/me

(Source: 2girl1cup)

04th Apr ・ 101,188 notesreblog
04th Apr ・ 3,604 notesreblog
04th Apr ・ 10,930 notesreblog

breeeezes:

1k! Ty


04th Apr ・ 5,421 notesreblog

likeafieldmouse:

Matthew Stone - Selections from Optimism as Cultural Rebellion and Unconditional Love


04th Apr ・ 3,495 notesreblog

Stunning patterns created by artist Mikhail Sadovnikov 

(Source: cantgeddynuffofthatbass)


04th Apr ・ 173,087 notesreblog

red-lipstick:

Marcel Dzama (b. 1974, Winnipeg, Canada) - Untitled, 1998-1999 Watercolors, Ink

31st Mar ・ 448 notesreblog

addictly:

"Silence" by Leopoldo Maler

31st Mar ・ 2,693 notesreblog

truangles:

A Bangladeshi girl hangs on to the side of a train, taken by Tab Tuhin in 2008

30th Mar ・ 43,453 notesreblog